I had been contracted to find and rescue the oracle of Siam. After many considerable bribes, I had found myself on a
mostly deserted island in Micronesia that still furnished rusting Hirohito-era Japanese
military equipment.
This is where I encountered one Rusty McDonagall. No pictures of him remain, but he was a dead ringer for
Bob Golic as Mike the Resident Advisor on Saved by the Bell: The
College Years (as pictured above).
The oracle of Siam was
featured as a piece of flesh merchandise in a human auction, and I
found myself surrounded by mercenaries, slave traders, rogues, scoundrels and upper echelon members of the KGB.
I went tit for tat
with McDonagall in bidding for the Siamese oracle to acquire her freedom
and, of course, to obtain the significant bounty from concerned parties. I
had figured McDonagall to be a wealthy Western pervert-tourist, but he too was
seeking the same bounty from the same concerned parties.
After
we had exhausted ourselves, a deviant member of a sheik oligarchy went
over our heads and purchased her. I can't say where she is now, but I
do know that neither McDonagall or myself received the significant bounty.
I met McDonagall again in the Australian outback four years afterward, and
we laughed about our tragic misunderstanding over a round of frosty beers.
Rusty
now has nine children and an obese Belgian wife. He and his wife currently do the Lord's work as Mormon
missionaries in rural Sudan, and I wish them
the best.
Thursday, July 11, 2013
Monday, July 8, 2013
A Portrait of a Mad Messiah - Fuller K. LaRouche
Update Update: Still working on chuckborgia.com
Fuller K. LaRouche has a tender, nearly indescribable sensitivity. The velvety sensations of his prose and poetry are a benign cancer; even as he metaphorically fornicates with your mother, whispering sweet nothings, he is Legion in his diabolical compassion.
Fuller K. LaRouche is a lover, and a demon. Fuller K. LaRouche’s work is evocative of the warmth of the womb, and yet he is a destroyer of the worst sort – a destroyer given to belligerent compassion. His latest torch song to the forests of Alberta, the subtly titled Masturbation in a Log Cabin, has won numerous awards and yet the blind, ignorant masses continue to ignore this Christ-like pariah of both the written and spoken word.
He began his formidable career as an urchin on the cruel streets of Calgary, but truly made his mark after his role in the long running feminist play and veritable menstrual manifesto, The Menarche Party. From there he turned his acting talents to a controversial play which he himself directed and wrote, Mommy Please Castrate Me.
A diminutive figure, in Mommy LaRouche played an insolent dwarf with an addiction to lactation who regularly tricked and guilted would-be mothers into breastfeeding him. Due to very real acts of teet sucking on stage, as well as the very cruel punishment his character receives at the end, the play was banned after a brief, disastrous run in Saskatchewan.
Mommy Please Castrate Me solidified LaRouche as a genuine West Canadian l'enfant terrible – however his career as a performance artist was just beginning. His seminal poem, You’ve Just Had Mind Intercourse with a Pterodactyl, won several awards in 2006. The poem, a classic of Canadian neo-real-surrealism, is not so much a screed describing the sexual angst of a dinosaur as an existentialist ejaculation against contemporary societal mores. Confirming his status as a devil child, LaRouche dialed several thousands of random telephone numbers to read this masterpiece of the maligned.
The resulting panic from this, said to cause symptoms ranging from paranoia to palpitations to priapisms, resulted in numerous fines, however LaRouche was undaunted. After staging a revival of Mommy Please Castrate Me throughout the American South, which met both considerable praise and damnation, he turned his attention toward the as-before-unviolated genre of relationship-horror.
His facetious facsimile of post-modern infatuation and decay, Lusting Monsters, and their Dance of the Dead, has received numerous accolades. Ever the miscreant, LaRouche made news in 2011 after an act of self-flagellation on the streets of Vancouver accompanied by an analog recording of cats screeching. In June of 2013, LaRouche held a one man play at a modern art museum in Finland. The conclusion of the play garnered much interest – specifically a scene in which LaRouche extracts from his rectum a piece of papyrus concerning the upcoming end of the world, which LaRouche indicates will occur on or near July 9th, 2021.
Fuller K. LaRouche has a tender, nearly indescribable sensitivity. The velvety sensations of his prose and poetry are a benign cancer; even as he metaphorically fornicates with your mother, whispering sweet nothings, he is Legion in his diabolical compassion.
Fuller K. LaRouche is a lover, and a demon. Fuller K. LaRouche’s work is evocative of the warmth of the womb, and yet he is a destroyer of the worst sort – a destroyer given to belligerent compassion. His latest torch song to the forests of Alberta, the subtly titled Masturbation in a Log Cabin, has won numerous awards and yet the blind, ignorant masses continue to ignore this Christ-like pariah of both the written and spoken word.
He began his formidable career as an urchin on the cruel streets of Calgary, but truly made his mark after his role in the long running feminist play and veritable menstrual manifesto, The Menarche Party. From there he turned his acting talents to a controversial play which he himself directed and wrote, Mommy Please Castrate Me.
A diminutive figure, in Mommy LaRouche played an insolent dwarf with an addiction to lactation who regularly tricked and guilted would-be mothers into breastfeeding him. Due to very real acts of teet sucking on stage, as well as the very cruel punishment his character receives at the end, the play was banned after a brief, disastrous run in Saskatchewan.
Mommy Please Castrate Me solidified LaRouche as a genuine West Canadian l'enfant terrible – however his career as a performance artist was just beginning. His seminal poem, You’ve Just Had Mind Intercourse with a Pterodactyl, won several awards in 2006. The poem, a classic of Canadian neo-real-surrealism, is not so much a screed describing the sexual angst of a dinosaur as an existentialist ejaculation against contemporary societal mores. Confirming his status as a devil child, LaRouche dialed several thousands of random telephone numbers to read this masterpiece of the maligned.
The resulting panic from this, said to cause symptoms ranging from paranoia to palpitations to priapisms, resulted in numerous fines, however LaRouche was undaunted. After staging a revival of Mommy Please Castrate Me throughout the American South, which met both considerable praise and damnation, he turned his attention toward the as-before-unviolated genre of relationship-horror.
His facetious facsimile of post-modern infatuation and decay, Lusting Monsters, and their Dance of the Dead, has received numerous accolades. Ever the miscreant, LaRouche made news in 2011 after an act of self-flagellation on the streets of Vancouver accompanied by an analog recording of cats screeching. In June of 2013, LaRouche held a one man play at a modern art museum in Finland. The conclusion of the play garnered much interest – specifically a scene in which LaRouche extracts from his rectum a piece of papyrus concerning the upcoming end of the world, which LaRouche indicates will occur on or near July 9th, 2021.
Sunday, June 23, 2013
The End
Earth to earth, ashes to ashes, dust to dust.
I have many fond memories of awkward formatting, awkward templates and I will very much miss my spam traffic. Vampire Stat, Kallery.net, Zombie Stat, Adsense Watchdog, Top Blog Stories and Traffic Faker - we hardly knew ye.
I have many fond memories of awkward formatting, awkward templates and I will very much miss my spam traffic. Vampire Stat, Kallery.net, Zombie Stat, Adsense Watchdog, Top Blog Stories and Traffic Faker - we hardly knew ye.
***
Le Cafard

The heat is oppressive, even in the early morning. I've lost all concept of time.
I'm currently drunk and hallucinating from a local variety of wine, fermented from the urinary discharge of a dromedary.
We were searching for the albino variant of the Mongolian death worm in the Bayan-Ölgii aimag of far western Mongolia. Our expedition may or might not have passed an international border into the People's Republic of China.
We've been flogged and interrogated by local police. They've confiscated both my salacious fan fiction literature as well as our complicated night vision video equipment.
We have been collectively charged as imperial spies aiding and abetting the Uighurs in the Xinjiang region.
My team consists of three Brits, a Kiwi, two Swedes and a local 79 year old shaman that has been separated from our party and presumably murdered.
The entheogenic effects of the wine are beginning and I'm experiencing a panicky and feverish sort of conscious state. I'm sweating prodigiously and descending into a sort of malaise similar to le cafard - that raging cockroach madness first noted by the absinthe sipping wing of the Foreign Legion.
The others whisper of our impending execution, and I frequently hear the guttural drop of the damned from the primitive bamboo hangman's scaffolding outside the charred mud walls of this Hell.
I have been granted a satellite phone call - my initial pleas to the nearest Western embassy (several hundred miles away) were met with ambivalence, but I was again allowed to call an associate in the United States.
May God give me the strength to endure this trial.
***
Excerpt from as yet unpublished book; Excess is Good: The Drink and Cocaine Filled Romp That Was The Tory Years in Great Britain- 1979 to 1997
I was researching the Yeti of far western Bangladesh, but these were very dark days indeed. My misspent afternoons mostly consisted of drinking Mezcal and chasing the dragon in the dingy ex-patriate hell that was the red light district of Dhaka.
I had secured transit papers after shanghai'ing a Cambodian pimp and former Viet Cong officer, and enjoyed a relatively mundane passage via freight ship to Great Britain.
I had received a reasonable offer from a local rag to cover the Beast of Exmoor phenomena in the highlands and lowlands of Albion. I submitted my report, and though cryptozoology had been a hobby of sorts, I established myself as a premier voice upon this subject in the UK and beyond.
My sullied and questionable relations with the members of the Conservative and Unionist Party (circa 1984) continued shortly after my arrival.
I had received a nonchalant and coldly indifferent hand job from Margaret Thatcher at a formal dinner party in the autumn of '77. I had the gross fortune of being seated next to her at a pre-formal and unofficial but official gathering at a theatre putting on a revisionist version of Shakespeare's MacBeth. She avoided all eye contact and conversation for the rest of the evening.
I later learned from a disgraced member of SAS that this was a standard of sorts, and that any complaints or braggadocio would be met with an immediate and unapologetic assassination from MI5.
During my Exmoor holiday in late '84, I had found myself in a sticky cottage in Exeter. I was quite literally engulfed in a Swedish sex scalene triangle between the Iron Lady and Sir John Major (both fifth cousins removed). The single "Easy Lover" from Phil Collins and Philip Bailey had been looped on a cassette tape. To this day, that particular song brings back a kind of uncomfortable but unsuppressable anticipation.
I can't quite say that this experience was enjoyable or pleasant in the slightest, but I still have recurring dreams that are mostly satisfying, even in this hell of Xinjiang.
Whenever caught between the Draconian thigh clench of the Prime Minister and the thick glasses of Sir Major, do as the Romans.
This hateful and violent sex act also led to my immediate and inevitable expulsion from the British Isles.
Not due to my acts of deviance, but due to the disclosure of my previous involvement aiding the Argentinians in the 74 day Falklands War...
Fatalism, Goat Tails and Discrete Handjobs - Notes from a Traveler
At the end of days, or at least the end my days, I fully anticipate either being judged harshly by a kangaroo court comprised entirely of elderly white eunuchs, or simply rotting in the grave. As such my life has held some manner of fatalism rarely found outside of the brothels of the Barbary Coast...
Thursday, June 20, 2013
In the Shadows of the Grinning Corpses
My latest experiment in existential anxiety, In the Shadows of the Grinning Corpses, will be included in the June 23rd, 2013 edition of Schlock!.
Saturday, June 1, 2013
Of Manic Kiwis and Masturbation
The privilege of punishment or thrill of
flagellation accompanied my visceral hallucination of multiple venereal
vaccinations, and yet I was accosted by that manner of feverish Afrikaner
erotic night terror inflicted upon all sons of those isles most wretched in
their reticence, Great Britain.
A dreary screamscape in which I was flogged repeatedly with a sjambok whip by sequined sadists savoring the sanguine discomfort of sedentary circus seals; echoes of the Boer Wars languidly lapsed through moth-eaten drapes verified by bootleg VHS tapes or remnants of Satanic midwife scrapes.
I had run afoul of a cannibalistic cabal that calculated currency in corneas, a devious denomination fed to the fetid phylums of insane asylums. I found myself the victim of various conspiracies of Canadian confections and ebola infections, and had begun receiving rent from the depressed louses now benefiting from the plague upon my houses.
I suffered an abject isolation unheard of outside the dank dungeons encountered during the annual spring-time Ukrainian insect torture exposition, and yet still fancied myself a conquistador in the conquest of conniving concubines. I had not anticipated the ancillary anxieties involving the extracurricular particulars or mundane curriculars of white slavery. This a dark era indeed…
A dreary screamscape in which I was flogged repeatedly with a sjambok whip by sequined sadists savoring the sanguine discomfort of sedentary circus seals; echoes of the Boer Wars languidly lapsed through moth-eaten drapes verified by bootleg VHS tapes or remnants of Satanic midwife scrapes.
I had run afoul of a cannibalistic cabal that calculated currency in corneas, a devious denomination fed to the fetid phylums of insane asylums. I found myself the victim of various conspiracies of Canadian confections and ebola infections, and had begun receiving rent from the depressed louses now benefiting from the plague upon my houses.
I suffered an abject isolation unheard of outside the dank dungeons encountered during the annual spring-time Ukrainian insect torture exposition, and yet still fancied myself a conquistador in the conquest of conniving concubines. I had not anticipated the ancillary anxieties involving the extracurricular particulars or mundane curriculars of white slavery. This a dark era indeed…
I had received a contract to locate and potentially
assassinate Die Kakkerlak, an antagonistic animal hoarding Afrikaner who
regularly fed stray kaffirs to the maligned monsters in his mangy menagerie of
the macabre. The misunderstandings of
miscreants or the minutiae of deviants had somehow led a manic Kiwi, one S.
Schomberg, to seek to hire me to murder the Cockroach.
Before this ill-advised excursion to the Dark Continent I recall I had found myself adrift in the remote South Atlantic to investigate the impish implications of lactating crustaceans.
This barren uncharted island a fixture of phobia and fascination due to legends of weary sailors surviving by milking giant albino arthropods sunning themselves under a godless sun, a horrific hallucination of dehydration or an accusation of cryptic inclinations. Quaffing the bubbling fluorescent ichor led these lost souls to awaken temporarily in some manner of mosaic mandala.
I had searched for this damned dystopia on a previous expedition to Antarctica to no avail. A fortnight of frog wine and pickled swine, brackish brine and spoiled lime had led me to anticipate this forbidden nectar, and yet it was not to be...
Before this ill-advised excursion to the Dark Continent I recall I had found myself adrift in the remote South Atlantic to investigate the impish implications of lactating crustaceans.
This barren uncharted island a fixture of phobia and fascination due to legends of weary sailors surviving by milking giant albino arthropods sunning themselves under a godless sun, a horrific hallucination of dehydration or an accusation of cryptic inclinations. Quaffing the bubbling fluorescent ichor led these lost souls to awaken temporarily in some manner of mosaic mandala.
I had searched for this damned dystopia on a previous expedition to Antarctica to no avail. A fortnight of frog wine and pickled swine, brackish brine and spoiled lime had led me to anticipate this forbidden nectar, and yet it was not to be...
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